He's the brains Sweetheart (04)
Last Updated (Thursday, 21 July 2011 16:21) Written by Administrator Wednesday, 20 July 2011 00:00
Art Notes: Not Wasting Ink
That's a pretty hastily sketched-in Leia! I don't think - even at 13 or 14 - I was that interested in drawing her at all. I'm getting through the better drawn stuff at the moment. It's August, are most of you away on holidays? Perhaps you'll never see these anyway.
See the muzzle flare? Very much inspired by « Howard Chaykin. If you freeze frame the original movie you'll see that most of the time they either did a scratchy mark for a frame - or two - and did a flash effect on the film. Like the type you get when you accidentally open a camera and let some light in. Those frames are very colourful. I « wrote about this last year and it was quite pertinent to the colouring in the 1977 Marvel Adaptation. Chaykin instead went for a more fluid ballooning effect - like a mass of napalm or something. Probably a better visual solution than just copying the film (below); not that he would have had access to film frames with composited effects of course.
Film Notes

Blink and you'll miss it! Good ol' YouTube and freeze frame
When Carrie moves across the corridor in the film after taking Luke's blaster - she fires a few shots with her silent prop-gun. You can see that she acts 'blinking' as the imaginary shots fire off. Not bad eh?
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Comments
What's up with the blaster flares in the movie now? Were they always pink or was that another GL tinker?
Lovely thing about scratch animation I seem to recall - I'm sure you'd know for sure Neil - is the layers of different colour you can reveal. Or at least the different intensities depending on how hard you scratch.
Now I bet you've held a Norman McLaren one in your own hands at NFBC?
Didn't Frederic Back goes blind in one eye on 'The Man Who Planted Trees'?
Two doses of sarcasm "he's the brains" and "sweetheart".
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